Cretan dress is characterized by its vivid colouring, elegance, and sophistication. It is also notable for the gaiety of feminine attire, typical of a society where women—unlike that of classical Greece—are depicted side-by-side with men, taking part in all the activities of life and not relegated to the domestic background.
Men's garments were few. Chief of these was a loincloth of wool, leather, or linen, tightly belted at the waist and arranged as a short, elaborately decorated skirt. The belt was drawn tight to contrast the slender waist (presuming that the man had one) with the masculine breadth of chest. By 1750 BC women were wearing a long bell-shaped skirt, often in a series of flounces, over a loincloth; with this, they wore a bolero-like jacket that had elbow-length sleeves but was open in front, leaving the breasts bare. In the later period a boned bodice was worn, constricting the upper torso but accentuating the full, bare breasts above. (This is the first recorded example in Europe of corseting constriction of the figure and remained an isolated instance for centuries.)
The Cretans liked bright colours, and their dress was vividly embroidered and decorated. The hair of both sexes was worn long, looped and braided and dressed with jewels, pearls, and ribbons. The Cretans bathed frequently, oiling their bodies afterward. Men were generally clean-shaven.
Outdoors both sexes wore sandals or shoes. In winter calf-length boots were adopted, and short woolen, fur-lined cloaks were fastened by pins around the shoulders.
With the collapse of the Minoan civilization in Crete about 1400 BC, a new culture arose on the mainland in the Peloponnese, notably in the maritime principalities of Mycenae, Tiryns, and Pylos. As the frescoes from the palace of Tiryns illustrate, the costume was similar but richer still.

Priest-king wearing elaborate loincloth attached to a tight, broad belt. Fresco from the palace at … Andre Held, Switzerland
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